Posts tagged Stephen King
To Say Nothing of the Dog by Connie Willis

Now it's hard to describe the plot of a time travel story without tripping over spoilers, so I’ll keep this brief. Maybe one of the best ways I can sum up this book is try and imagine what would happen if P.G. Wodehouse had been commissioned to write Twelve Monkeys. You’d need to swap out a couple of things, though. That sense of doom isn’t quite there. This is a book focused on making you laugh more than questioning your own sense of fate and mortality. There’s also no virus, although a pandemic is mentioned. Instead, our time travelling historians here are being sent back in time to try and track down artefacts in order to rebuild the old, bombed out Coventry cathedral. There’s also less of that intricate Gilliam clutter. Willis’ time travellers are, like I said, historians. They’re working out of universities, selling their services to keep themselves funded, causing them to be hounded by persistent benefactors such as the dreaded Mrs Schrapnell as they cope with a constant lack of capable staff.

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Triumff by Dan Abnett

I have a brief confession to make. In fact, I’m fairly certain I’ve made it here before. Still, here we go again – genre makes me flinch. There, I said it. I don’t know why it exactly has that effect on me. It’s not like it even happens all the time, with every single genre story. I’m not one of those people who wouldn’t entertain the thought of a sword or a dragons unless they came bundled up with some HBO nudity or Chris Pine doing his best Guardians of the Galaxy impression.

   Sometimes, the allergy can come through the style of the prose. If you can feel someone following a painting by numbers approach to building a bigger story, then I normally recoil from it. If a first book features people saying things like ‘a war is coming’ or ‘something is coming’, I have roughly the same reaction. Other times, however, genre can feel like an incredibly comfy and welcoming chair. If the planets are in alignment, if I’m in the right frame of mind, and if the story doesn’t feel in any way like a photocopy of something grander and older and perhaps a little dustier, then I’m in.

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Pagan Babies by Elmore Leonard

Some writers just appear effortless. Neil Gaiman, when he’s firing on all cylinders, can make you believe he’s plucking some grand, modern fantasy out of mid-air before your eyes. Stephen King seems to have access to a well of stories which feel like they’ve been around forever, just waiting to be told, before he filters them through a riff he’s been building his entire career. The one who always amazes me with how smooth and focused his prose can be, however, is Elmore Leonard. My god, Elmore Leonard could write a good story. His work, when it’s on form, shares something with bottled lightning. It won’t be a few pages past the cover before you find your nerves singing, a spent cork in your hand, and your hair standing on end.

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The King

Growing up in the 80s, there was really no avoiding Stephen King.  My parents never read horror, but his stories were everywhere.  They were discussed on TV, they were whispered about on the playground.  Carrie was already a palpable hit for both him and De Palma.  The likes of Christine, Cujo and Firestarter were infamous.  As was Thinner, sneakily written under that tissue paper thin alias he occasionally ducked behind.  The Shinning was dividing people between preferring the book and the movie; an early precursor to so many comic book movie arguments that were waiting for us in the 21st century.  As I grew up the names of his stories became the stuff of legend.  Pet Cemetery, It, The Stand, Salem’s Lot.

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